For the third workshop, we were required to draw two A4 drawings a day, one at morning, the other at night. This added up to 42 drawings in total, half of them interior spaces, the other half exterior. Doing this daily encouraged the fact that process is extremely important and ideas can be developed through repetition. I attempted a number of styles of drawing using conte and willow charcoal. These included the use of lines, tone, smudging, squiggles and using the charcoal on edge. Some pictures focused on tone only, others considered form as well.
As well as these drawings, we produced A2 drawings during class time and others at home. During the first week, we took a trip to the Opera House and did observation drawing. First off, we had to produce one drawing, move to another area and draw on top of this. The next was just one drawing, again in another area.
The third A2 drawing is of the landscape, looking out the windows of the Red centre on level 6. We then had to choose an element and draw a large scale version of this on top of the landscape. I chose to draw the lights on the pole next to the oval, as their form especially caught my eye.
Next is a still life drawing where few objects were placed in front of us and we began to draw them. After a little while, the objects would be moved slightly. Ours were moved five times. To articulate this on the drawing, I used methods of transparency, interlocking and tried to track the movement of the objects as well as their spatial qualities. The constant movement was very interesting and captivating to understand how to present the changes.
Lastly, the group collaborative exercise, where a colleague would describe an architectural space, and I would draw it. This was interesting as we had to develop our idea and draw spatially without observing a space.
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