WORKSHOP TWO-ATLAS OF COLOUR

Achromatic tonal keys: From top, left to right, high major, high minor, intermediate major (high), intermediate major (low), intermediate minor, low major, low minor.

Photoshop collage of Luis Barragan House. Below, the colours in the plan are supposed to be grey, orange and purple. This was a chance for me to learn a few tools in photoshop so is fairly simple. In my final atlas, I merge the plan and elevation together as they read best together, so the base of the elevation becomes the foliage of the plan. 

My interpretation of the class window:

In addition to our concept of painting the shifting concept of sunrise, sunset and night time, I tried to add a dreamlike quality to the window. The left side I glazed with a purple hue creating a more ethereal quality. I then overlaid sections with almost cloud like fluid forms that vary in transparency, colour and size.

The Colour Wheel of Shavings

My colour elevation rendering:

This elevation is rendered with different colour keys relating to me in one way or another. The colours that have not shown up should be dark blue-green with yellow and grey.  This combination creates my "self" colour.

Loose Rendering of part of a Barragan project.

I accentuated angles, shadows and colour in this rendering. The colours here should be grey, orange and purple. 

Barraganland face map:

This map, based on Barragan's face is labelled with places relating to Barragan's life/projects/concepts. For example, "the Sea of Silence" refers to Barragan's idea of the beauty of silence.